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The man who had used the knife scalped his enemy, and slowly, hidden by the grass, crept down the hill that he had just ascended, and when he reached the cover of a low place Mīka´pi rose to his feet and crept away. He had another Snake scalp tied to his belt. His heart was glad, but he was not satisfied.,

"Bah!" he says, impatiently, rising from the ground and turning away. Her answer has frozen him again, has dried up the momentary desire for her approbation above all others that only a minute ago had agitated his breast.,

"I do not wish to lay claim to anything," says Mona, throwing up her head with a little proud gesture,—"least of all to what does not by right belong to me. To be Mrs. Geoffrey is all I ask.",

"Do you know all you ask? By relinquishing this iniquitous deed I give up all hope of ever gaining this place,—this old house that even to me seems priceless. You demand much. Yet on one condition it shall be yours."

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"Did he?" says Mona. "Geoffrey gave me these pearls," pointing to a pretty string round her own white neck, "a month after we were married. It seems quite a long time ago now," with a sigh and a little smile. "But your opals are perfect. Just like the moonlight. By the by," as if it has suddenly occurred to her, "did you ever see the lake by moonlight? I mean from the mullioned window in the north gallery?",

"There wasn't much society to go into," says Mona, "and I was only fifteen when staying with Aunt Anastasia. She," confidentially, "made rather a grand match for us, you know." (Lady Rodney grinds her teeth, and tells herself she is on the point of fainting.) "She married the Provost of Trinity College; but I don't think he did her any good. She is the oddest old thing! Even to think of her now makes me laugh. You should have seen her," says Mrs. Geoffrey, leaning back in her chair, and giving way to her usual merry laugh, that rings like a peal of silver bells, "with her wig that had little curls all over it, and her big poke-bonnet like a coal-scuttle!",

"Do not trouble yourself to make any further excuse," says Mona, icily.,

Mona never afterwards could say which man was the first to make the attack, but in a second they are locked in each other's arms in a deadly embrace. A desire to cry aloud, to summon help, takes hold of her, but she beats it down, some inward feeling, clear, yet undefined, telling her that publicity on such a matter as this will be eminently undesirable.